Direct Hit
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Direct Hit

From:William Forsythe , Jo Champa , Richard Norton , John Aprea , George Segal , Joseph Merhi , Paul G. Volk , Madacy Records ,
Direct Hit
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Amazon Sales Rank:# 125221
User Rating:3.5 out of 5 stars
Customer Reviews
List Price:$9.98





Aspect Ratio: 1.33:1
Audience Rating: R (Restricted)
Binding: DVD
EAN: 9780778617563
Format: Color
Format: Dolby
Format: DVD-Video
Format: Full Screen
Format: NTSC
ISBN: 0778617564
Label: Madacy Records
Manufacturer: Madacy Records
Number Of Items: 1
Packaged Height: 58 hundredths-inches
Packaged Length: 710 hundredths-inches
Packaged Weight: 18 hundredths-pounds
Packaged Width: 542 hundredths-inches
Publisher: Madacy Records
Region Code: 1
Release Date: 2003-06-24
Running Time: 89 minutes
Studio: Madacy Records
Theatrical Release Date: 1994


Customer Reviews:


2 of 2 customers found the following review helpful:
HE AVOIDS BULLETS, BUT NOT THIS LADY., 2005-05-25
Most of what comes about during this action melodrama is precisely what must be expected, given the rather ordinary pedigrees of those responsible, in a narrative of John Hatch (William Forsythe), an assassin for the CIA whose activities unaccountably seem to be confined to stateside assignments. Presumably recognizing after a lengthy career that his original aspirations for patriotic service have been mislayed due to the callous aspects of his occupation, Hatch has determined that he will retire from the life of a "hit man". Compelled by CIA chieftain James Tronson (George Segal) to implement one last murder more than he desires, Hatch stalks his designated target: Savannah (Jo Champa) who purportedly is blackmailing a public figure, a former CIA director who is campaigning for a position of U.S. Senator. Having had the precepts he once believed in buried by the nature of his activities Hatch decides, in an attempt to partially redeem himself, not to complete his obligation but instead protects Savannah from the Agency after discovering that she is a victim of governmental deception and not an extortioner. Forsythe, a true original, performs his role as well as he can under the circumstances, and with his wonted low-key manner, here marked with a more than usual emphasis upon throatily aspirating his lines. He can, however, be heard and understood, a condition not consistently achieved in this production wherein the dubbing is often misaligned and the editing is uneven, manifest despite all of the violent proceedings. The script is nearly totally nonsensical as Forsythe, whose physique resembles an outhouse, magically evades hundreds of rounds fired directly at him by CIA operatives and others, while finding the time to demonstrate his need for a new plan of living by bedding rangy and sensuous Savannah in a mild scene (he is thankfully not in the buff) composed more of nuzzling and nibbling than the customary thrashing about - his cinematic force rests in his quietly ominous demeanor, not often tinged with a stripe of vulnerability.


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